PART 2 – Ch.XII.11

(The principal prehistoric divinities of Dacia)

 

PART 2

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XII. 11. Rhea or the Great Mother with the name Dochia and Dochiana in Romanian legends.

 

Rhea or the Great Mother, worshipped by the Pelasgian tribes from the north of the lower Danube under the name of Dachia and “Dacia”, appears in Romanian legends and folk songs as “Dochia” and “Dochiana”.

In Romanian legends she is seen especially as an old woman, called “Baba Dochia”, who climbed too early to the mountain with her sheep, at the beginning of spring, was turned to ice and then to stone, on the peaks or the coasts of the mountains, where her ancient simulacra existed, or still exist today.

Almost all these primitive feminine images, sculpted in live rock around the Carpathians, are considered by the people to represent “Baba Dochia” (Answers to the historical questionnaire; Hasdeu, Dictionarul I. ist. si pop. III. 2279; Marianu, Sarbatorile la Romani, II, p.94).

The colossal figure of Baba Dochia from the Carpathians of Moldova had a special celebrity until the 18th century (Cantemir, Descriptio Moldoviae, 1872, p.24,25).

This simulacrum, as results from the description of Prince Cantemir, was on the high tower rising near the majestic peak of Cehleu Mountain. The mountains which separate the country of Moldova from the country of Ardel are called even today by the folk people the Mountains of Cehleu, or the Mountains of Dochia, because, according to a tradition, “Dochia sits in Cehleu” (Answers to the Historical questionnaire, from the village Calugareni, Neamtu district).

The first days of March (1-12) are called by the Romanian people “the days of Baba Dochia” or “the days of Babe” (Marianu, Ornitologia, I. p.2796; Albina Carpatilor, IV. 11).

This is evident proof that in the ancient religion of the Pelasgian tribes from the Istru, the great feast days of the Earth divinity were celebrated in the first days of March, and not around the beginning of April, exactly as the Romans celebrated the Matronale, or feminine Saturnale, during the “Martias Calendas” (Festus, 242).

The Romanian legends about the turning to ice and to stone of Baba Dochia in the mountains, are in essence identical, and originate in the same epoch, with the legends about the statues of Niobe, of Ariadna, (Preller, Gr. Myth. I, 1854, p.269, 423), and of Venus from the mountain of Lebanon, all of which represented in fact just some archaic simulacra of the Great Mother.

 

The figure of Dochia or the Great Mother appears under a different form, with a less mythical character, in Romanian carols. In these semi-religious folk songs, she is celebrated even today under the name of “Dochiana”, and is represented as a very beautiful virgin, who never grows old. Her family wealth consists of flocks of sheep, herds of oxen, cows and horses. Many woo her, but she refuses to wed “until the white spring comes, when the flowers are in bloom”.

The same reminiscences about Rhea or Cybele had been also preserved by the Pelasgian populations of Asia Minor.

According to neo-Phrygian traditions, Rhea or Cybele had been a virgin of extraordinary beauty, who from an excess of moral virtue did not want to get married (Diodorus Siculus, lib. III. 58).

She was represented in ancient paintings sitting in a chariot, dressed in fine clothes, on which shone jewels and precious metals (Albericus, De deorum imagine, c. 12).

She appears in Romanian carols under the name of “Nina Dochiana”. She has vineyards and is the daughter of “Badita Migdale” (Sbiera, Carols, p.13-14). In the religion of the Roman people, Magna Mater was also worshipped as “Dea Migale”, a word which the Roman authors derived from megale, epithet of the Great Mother (Fast. Praenest. C. I. L. I. p.316). Finally, in the carols called “well-wishes with the plough”, in which are celebrated in such a beautiful way the benefits of agriculture, Rhea, the goddess of earth’s fertility, appears as “Beautiful Dochiana”, as a “proud lady” with “white arms” (Homer has applied this epithet to Juno in his Iliad, without making any sense, white arms were a distinctive trait of the Great Mother), and has at the same time the honorific title of “Mother” (Alecsandri, Folk poetry, p.390).

There is no contrast between these two types of folk traditions regarding the Baba Dochia turned to stone, and the beautiful Dochiana. In the Romanian carols is celebrated the youth, extraordinary beauty and chastity of the Great Mother, while the legends refer to the second part of her life, especially to her apotheosis [1].

 

[1. Dochia or Dochiana of the Romanian folk legends and carols has nothing to do with the so-called Christian martyr Eudocia, who had neither cult, nor legends in these countries.

The fathers of the church, in order to give a Christian character to the pagan feast day of the 1st of March, called Dochia at Istru and maybe even in some parts of Asia Minor, consecrated this day to a supposed martyr from Lebanon, with the name of Eudocia. It is interesting even the legendary history of this Eudocia. The authors of Martyrologium romanum present the emperor Trajan, the conqueror of Dacia, as a persecutor of Eudocia].

 

 

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