PART 4    Ch.XXVI.8

Prehistoric monuments of metallurgic art in Dacia

(Chryseion Koas – The Golden Fleece)

 

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XXVI.8.  Medea in Romanian traditional songs.

 

In a series of heroic songs of the Romanian people, Medea, the daughter of Aietes, appears under the name of Nedea.

According to Greek legends, Medea had been the most famous of all enchantresses (Suidas).

Her mother Idyia (Hecate) had taught her all the secrets of the magic arts (Diodorus Siculus, lib. IV. c. 46. 1).

In Romanian traditions, Medea excels not only for her unequalled beauty, and for her costume “only gold and silver, from head to toe”, but she appears at the same time as the most renowned singer of the ancient times [1]

 

[1. Marienescu, Balade, I. p. 12; Alecsandri, Poesii pop. p.24; Teodorescu, Poesii pop. p. 627, 632; Bibicescu, Poesii poporale din Transilvania, p. 320, 323;Tocilescu, Materialuri folkl. I. p. 137, 108, 171; and others, like Burada, Marianu, Mandrescu, Catana, Bugnariu, Radulescu-Codin. In some versions of this song the hero Ghita Catanuta appears under the name of Petrea or Stoian. These are without doubt names formed from ancient epithets attributed to Hercules].

 

Proud moon and starts rise at her singing, and all nature moves. Nedea in Romanian folk poetry is a "young lass”, “a white beauty”, the girlfriend of young and handsome hero Ghita Catanuta, Hercules of legendary times, the first leader of the Argonautic expedition, according to some traditions [2].

 

[2. In Romanian songs Nedea also appears as a young “wife” of Ghita Catanuta. The historian Timonax tells us in his Book I about the Scythians that Iason had married Medea while still in the country of the Colchi, she given to him by king Aietes himself (Fragm. Hist. graec. IV. 522)].

 

The hero, Ghita Catanuta, strolls with Nedea, his beautiful lover, on the top of the hill, and asks her to sing for him a little song. But she answers that her voice is powerful when singing, it can be heard far away, and that if she started to sing:

                                    The sky will bathe in tears,

                                    Deep valleys will echo,

                                    Mountains will tremble,

                                    High banks will crumble,

                                    Ravines will tumble,

                                    Stones will crack,

                                    Great waters will cloud,

                                    Cold fountains will block,

                                    The fords will dry out,

                                    The trees will break,

                                    The forests will shake,

                                    The orchards will be flattened,

                                    The vultures will gather,

                                    The stars will come out,

                                    Proud moon will appear,

                                    Outlaws will wake up,

 

and she will be taken by the Peacock of the Woods, the strongmen’s strongman, Gruia Capitan, Gruia Pazavan Codrean. Finally, Nedea consents to the pleas of Ghita Catanuta, and when she starts singing with her fiery voice:                                   

Green woods shook,

                                    Deep valleys echoed,

                                    Mountains quaked,

                                    High banks crumbled,

                                    The wind stopped in its way,

                                    The trees jolted,

                                    The stones broke,

                                    Springs clouded,

                                    Orchards shivered,

                                    Leaves fluttered,

                                    Flowers gathered together,

                                    The green grass withered,

                                    The sky in tears bathed,

                                    All the stars came out,

                                    Proud moon rose.

 

But lo, and behold, the Peacock of the Woods, or according to other versions Gruia Capitan, hears the sweet and enchanting song of Nedea, as the woods and the valleys echoing with it. He appears in front of Ghita Catanuta, to steal this seductive woman, who had troubled his heart ever since she was little.

In the ensuing battle between these two heroes, Nedea behaves perfidiously towards Ghita Catanuta. But he manages to defeat his rival, after which he punishes Nedea with death for her unfaithfulness. Finally Ghita Catanuta departs on the hill of Ardel, on the path of the strongmen, towards the Hungarian country, there to be an outlaw.

In the entire mythological and poetical literature of the antiquity, there is no mention of Medea as a wonderful singer, except with Ovid. In book VII of his Metamorphoses (v.191-204), the Roman poet exiled at Tomis, presents Medea saying the following words:

“You stars, which together with the golden moon abate the burning fire of the day, you songs and magical crafts, you earth, which produce the strong herbs for witches, you sweet breezes and winds, rivers and lakes, you, all the divinities of the woods and of the night, stand by me;

with your help, at my will, I will make the rivers to turn back to their sources, so that their banks will be astonished; with my songs I calm down the agitated fords and stir the stagnant waters; I scatter the clouds and turn them back, I drive and turn back the winds, move the live rocks, uproot the trees, make the mountains shake, the earth howl, and forefathers emerge from their graves” [3].

 

[3. In the original Latin verses, the word cantus has its original meaning of song (TN – cantec), not of magical incantations, as it is also true in Ovid’s Heroidae (XII, v. 167).

In some Romanian versions, Medea appears under the name of Vida (Vidra, Vidrusca), this being a confusion with the name of her mother, Idyia (‘Iduia), a daughter of Oceanos or Istru].

 

All the ideas, the images, expressed by Ovid in these verses, have an original folk character. They are natural verses, instinctive, full of life and harmony, not artificial. They mirror the mores and rustic life of the Pelasgian nation, scenes with which we are met even today in the Carpathians, when late in the dusk of the evening, in moonlight, the valleys and woods echo far in the distance with the sweet, sentimental songs of the girls and wives, who return in groups towards their homes, from the work of the field.

Ovid’s verses about Medea, who with her songs calms down the agitated waves, clouds the stagnant waters, drives and turns around the clouds, moves the rocks, uproots the trees, shakes the mountain, are basically just simple extracts from the heroic poetry of the Lower Istru. But Ovid introduces them in Medea’s legend only in a fragmented way, without connection to the episodes that precede or follow them, without a natural connection in the text, without any logical explanation, so that they remain simple poetical constructions, beautiful, but without meaning. Ovid, as we know, had made during his exile at Tomis, the last revision of his Metamorphoses and he had taken advantage of the folk songs of the Getae, to add to the Greek mythologies.

Nedea, the famous singer of the Romanian heroic poems is Medea, the enchantress of the Argonautic times [4].

 

[4. In the traditional songs about Nedea we also find a geographical reminiscence from the old legend of the Argonauts.

According to Diodorus Siculus (IV. 48), the woods or the renowned pastures of the god Mars, where the golden fleece was hung, were not far from the royal residence called Sybaris, in the region of the Colchi. A Sabar or Sybaris also appears in the Romanian rhapsodies.

The hero Ghita Catanuta, according to one of these versions, crosses together with Nedea, the hill of Ardel, the valley of Sabar and the plain of Severin (Tocilescu, Mat. Folk. I, p. 169). Sybaris and Sabar in these epic fragments are the same geographical name, as a city and royal residence (polis basileia) with Diodorus, and only as a valley in the Romanian ballad. The river Sabar in the Romanian tradition is without doubt the fast river which springs in the district of Dambovita, flows through the district of Ilfov, SW of Bucharest, and into the river Arges near the village Ghimpati)].

 

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